SOFT-HAND PRINTING

Retail inspired designs are calling for softer and softer printing. Current ink technology makes this a breeze on white or light garments with the use of fashion soft base additives and water-based inks. Distressed and/or vintage prints are more authentic when printed with soft inks and high mesh counts. Achieving soft prints on dark garments is not as straight forward, so when requesting a soft hand print on darks be sure to have a conversation with your decorator so you know just what to expect.

Below is a breakdown of the different inks we use and a little bit about each one.
You can download this article for an in-depth look at the options for printing soft-hand on dark garments.

FASHION SOFT OR CHINO

SOFTNESS

Just as soft as water-based inks. You can’t feel any ink after one washing! These base additives are the plastisol answer to soft hand printing.

DETAIL

Inks mixed with soft-hand additives are able to hold the same amount of detail as their standard pantone counterparts.

PRINTABILITY

Since the ink is still plastisol, these are ideal for printing soft-hand in the majority of screen print shops.

OPACITY

Pantone colors mixed with a soft hand base are more transparent than regular plastisol formula colors. They tend to have a washed out look when printed over white underbases. For this reason they are not recommended for use on dark garments, but are really geared for white and light colors of shirts. Soft hand bases are not visible on dark garments.

PANTONE MATCHING

Because the inks are more translucent once the base is mixed in, the pantone colors may not print exactly, though close.

WATER-BASED

SOFTNESS

The chemical make up of this ink lends itself to a less-like-plastic softer print.

DETAIL

This ink has a tendency to dry in small design areas, so there is a bit of loss in any detail area or fine halftone.

PRINTABILITY

The curing time is slower and the ink has a tendency to dry at the edges of the stencils. More manpower is needed on press to maintain consistency in print. Expect a higher rate of spoilage.

OPACITY

This ink is more transparent than regular plastisol and does not print well on white underbases, nor do they appear on dark garments. Stick to water-based ink on white or light colors.

PANTONE MATCHING

There is no pantone matching with water-based ink. water-based inks have a tendency to print lighter than their PMS counterpart.

DISCHARGE

SOFTNESS

Discharge ink is the water-based ink for dark garments. It is considerably softer than any plastisol print requiring an underbase. Discharge ink utilizes an activator that bleaches the dye out of the t-shirt and deposits the pigment of the ink.

DETAIL

Since it is a water-base ink, avoid designing with detail and fine halftones.

PRINTABILITY

The curing time is slower and the ink has a tendency to dry at the edges of the stencils. More manpower is needed on press to maintain consistency in print. Expect a higher rate of spoilage. Rich colors such as red, turquoise, purple, and royal discharge very unpredictably. The inks are often contaminated by the dye in the shirt. Black garments also discharge very unpredictably.

OPACITY

Discharge colors can appear quite vibrant, although this ink has a look that differs from plastisol. Be sure to discuss the variables that affect the final print with your customer service rep.

PANTONE MATCHING

The number of variables that affect the ink deters us from being able to guarantee pantone matching with discharge inks. Discharge colors tend to print 1-2 shades lighter than the called out pms color.